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Typographic Matchmaking in the City Public Presentation
The Typographic Matchmaking projects were initiated by the Khatt Foundation as a means to bring about cultural dialogue through collaborative design projects. The goal was to investigate alternatives to the Arabic fonts available on the market and to propose through specific themes new design solutions. The projects have proven to be highly inspirational for the participating designers; they brought together designers from different cultural and professional backgrounds to intensely collaborate on creating coherent products with groundbreaking results.
These projects show the important role that design can play in initiating cultural change, assimilation and integration—by simply using our daily basic communication mode: the written word.
A documentary film directed by Jan de Bruin and edited by Ans Kanen. Music by Philipp Ernsting Jan de Bruin Productions and the Khatt.
Aslon Arfa has recently published a book of his photography documenting crack addicts in Iran called Black Crack in Iran. Some of the images are of people getting high, some post-high, some in search of a high. Others document tattoos, living conditions, and even public execution. The introduction to the book notes the difficulty the photographer had in gaining trust and access, but nothing about whether that trust was then compromised in publishing these photos.
Needless to say, an academic would almost never be able to publish identifiable images of addicts in compromised states and I have chosen not to reproduce them here because there is no guarantee that the person being photographed is able to give informed consent, nor can the academic guarantee their safety post-publishing. But there are no ethics review boards to which photojournalists and documentary photographers must adhere, and that often allows them to embark on issues of humanitarian and social concern in more direct and visual ways.
Given these dueling motivations for protection of subjects and for awareness-raising of their plight , what do you think of the ethical implications of doing this kind of work? Source: iranican. The account of young Atafeh Nikohl Boosheri falling in love with fellow schoolgirl Shireen Sarah Kazemy — before being pulled apart by events — will draw invites from fests including generalist and gay-lesbian events.
Pic has been picked up for U.
Crossed-Out Warsaw is a project about dreams. Dreams of newborn polish society. To discover them, you take a VR journey through a legendary government district of Warsaw, that was never constructed. In the country of Poland, after years under occupation, gained back its independence and appeared again on the political map of Europe.
Pearl of Absurd is a documentary film and a cross media platform about city of Kinetic typography will lead to short clips of video and live polls; live-feed life interactions with inspiring mentors through an interactive “matchmaking” platform.
We have lost this relationship between typography, material and architectural space. Knowing someone else is knowing his language, seeing his language. The film tracks a year-long collaboration between five teams — comprising 15 Dutch and Middle-Eastern graphic designers, architects and typographers — as they seek to create truly-dual Arabic and Latin script types to be used in public spaces.
English is the ubiquitous hallmark of internationalism and multiculturalism in the Middle East, seen alongside its indigenous sister script everywhere, from shop and traffic signage to street furniture. The difference is that the Latin script has been evolved a lot and has been studied more. The Latin type faces that you see are quite developed and structured. Unlike the Arabic ones which have not significantly developed from calligraphy, so it is hard to make the Arabic script work as a font.
About the part that art plays in a globalising society. Exhibition: On the Nature of Botanical Gardens. Exhibitions All exhibitions. Eerste workshop in de The City is Ours reeks. Dipsaus podcast. Locatie: Werkplaats Molenwijk.
The event will consist of a symposium and presentations of the research projects, a screening of the documentary film, a book launch/signing and some.
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As hosts, we are interested in expanding more traditional definitions of type design established within education programmes and institutions. We are excited to welcome a lively and diverse group of artists, designers and researchers to explore type happening in Amsterdam. The lectures are open to the public and free. Experts, non-experts, type enthusiasts, writers, design students might be especially interested in joining. This year letterspace decided to join the open call in order to showcase the platform, our involved speakers, and guests.
From March 2nd until April 9th we will post a letter of number a day on our minisite
The Typographic Matchmaking projects were initiated by the Khatt Foundation as a by and made for the urban public space, one book and a documentary film.
Reservation is required. RSVP: khatt. The Typographic Matchmaking in the City project is a design research project investigating new approaches for bilingual lettering and poetic narrative for public space. The project have proven to be highly inspirational for the participating designers; it brought together designers from different cultural backgrounds to intensely collaborate, over a period of 2 years, on creating coherent products with groundbreaking results.
This project shows the important role that design can play in initiating cultural change, assimilation and integration—by simply using our daily basic communication mode: the written word. A documentary film directed by Jan de Bruin Jan de Bruin Productions and the Khatt Foundation Shot on several locations in Amsterdam, Dubai UAE , Sharjah UAE , Pingjum Friesland , and Doha Qatar , Typographic Matchmaking in the City : the Film follows the 5 teams of Dutch and Arab designers that participated in the project over a period of 18 months while they were traveling, working together, and presenting their work in progress to culturally and professionally diverse audiences.
The film makes visible not only the design process, the struggles and challenges of the designers, but also addresses the larger topics of bringing two cultures into a dialogue through design. The personalities of the designers show through their collaborative process, discussions, interactions and the final design outcomes.
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Website for dam A series of monthly lectures about type and typography from Amsterdam.
Just like the first Typographic Matchmaking project, there are 5 teams of matched designers, only this time there architects are on board, along with major new ingredients. This time as well, my friend Khajag Apelian and I, are both part of 2 of the teams in the project. What remains the same: -5 teams of designers from Europe and the Middle east -The aim is to create 5 pairs of matching Latin and Arabic typefaces -Showcase the result in a book and an exhibition typographic Matchmaking , El Hema.
Both the film feature and the book are to represent means of exploring the project as a creative process and and a showcase for the outcome. Amsterdam February 09 was the first meeting during which the teams explored Amsterdam. The trip included launching the project, briefing the teams, discussing the general concept and requirements.
Presentation by each participant took place at Mediamatic. The paired designers took the time to get to know each other and sit for brief brainstorming sessions as well as random discussions.
Typographic Matchmaking in the City
TMMC at De Balie in Amsterdam will feature a symposium, book launch and film screening, not to mention some big names in type and graphic design. Typographic Matchmaking in the City TMMC is a design research project investigating new approaches to bilingual lettering and poetic narrative for public spaces. The project has proven to be highly inspirational for the participating designers; it brought together creatives from different cultural backgrounds who intensely collaborated over a 2 year period, creating coherent products with groundbreaking results.
This project shows the important role that design can play in initiating cultural change, assimilation and integration—by simply using our basic daily mode of communication: the written word. The Khatt Foundation , Center for Arabic Typography, is a cultural foundation dedicated to advancing design research and typography in the Middle East, North Africa and their diaspora, and to building cross-cultural creative networks.
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Typographic matchmaking in the city documentary. Never miss married but now divorced or widowed. Butler county could be that of the roman.
My first discoveries One of the first impressions I got of the Typographic Matchmaking, was an image of a huge three-dimensional shape with letters that I did not manage to read. The shape proved to be a mixture of both Latin and Arabic words, translating each other and forming a common text. As a matter of fact, it was a construction of the type font StoryLine, and one of the outcomes of the Typographic Matchmaking 2. The project The first initiative to the Typographic Matchmaking took place in , the second in There is a lot to say about the project.
The Typographic Matchmaking 1. The Typographic Matchmaking 2. Here, the focus is to bring the marriage between Arabic and Latin writing cultures to the three-dimensional city. Each team also deals with a different subject. It is inspiring to me that they immediately move away from the original classical type and experiment with both language types, starting from scratch. Backgrounds I find it interesting to mention, that one of the reasons argued for the Typographic Matchmaking is, that because of the poor matches between the Arabic and Latin fonts, most bilingual design projects in the Middle East start in English before getting translated.
Too often, the street sign you meet in the Middle East are written in a way that forces the Arabic language to adjust to the Latin language. The basic idea is thus to create new fonts that work both in Latin and Arabic, and especially to find types that create harmony between the different language structures. The aim of the project in the City, is also to bring back the sense of belonging to fast growing multicultural cities in the Arabic environment.
typographic matchmaking in the city
Want to learn how to design a logo? A good overview for matching typefaces. Big congrats to St. Aloysius Detroit for their new visual identity! It was a pleasure working on this alongside the Archdiocese of Detroit and seeing it out in the world. This project has been in the works for some time now, but the timing for the launch in the midst of the pandemic could not be better.
Collage that illustrates link between the car brand Ferrari and the Catholic Church. About the similarity in experience both on a religious level. Short film, for the greater part made from found footage, about a journey of a writer to fictional American city. The objective was to create my own subjective story via already existing images and combine them with my own. Documentary about fascination for car brand Ferrari.
In chronicle way a description of the final departure of interest between me and my father. For this graduation project recordings were made at many national and International locations.
The ‘Typographic Matchmaking in the City’ Movie
Design is the method of putting form and content together. Design, just as art, has multiple definitions; there is no single definition. Design can be art.
‘Typographic Matchmaking in the City’ is a documentary about an urban typographic research project investigating new approaches for bilingual lettering and.
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